Miracle Workers Collective’s film work The Killing of Čáhcerávga (2019) is a collision of five different short films that, together, tell a disjointed, communal narrative. Employing a call-and-response strategy, the film expresses a politicised dialogue around indigeneity, movement, and migration in contemporary Europe. The collective share an interest in exploring the potentiality in disciplinary disobedience. Travelling through dreamscapes, lonely snowy plains, absurdist capitalist underwaters, greenhouse gardens, and desert landscapes, the film stretches into a practice of impossible spatial rules, strange dialogue practices, and inconclusive, unresolved scenic endings.
The Killing of Čáhcerávga