On the other side

Viitahuhta Marja

Nuppi bealde is a yoik in which the spirits of Saivo, the two-bottomed lake, are brought forth. The Sámi musician Ánnámáret's yoik melody first carries the video piece with a soaring treble, but as the piece progresses, it sinks into the depths, accompanied by Ilkka Heinonen's jouhikko (finnish bowed lyre). The soundscapes created by Turkka Inkilä first create an image of twinkling clocks, frost and spaciousness, but later shatter and are reborn in another form, creating an image of a different kind of world. The visual material of the work is a combination of ice, water, the spreading of watercolor paint and drawing animation, where the real elements of the landscape are multiplied and repeated and the black and white landscape is colored, fragmented and transformed. The video is part of a series of video works that Viitahuhta has made in collaboration with musicians Ánnámáret, Ilkka Heinonen and Turkka Inkilä. The song heard in the video was recorded for the album Ánnámáret: Nieguid duovdagat.

Production Year
2023
Duration
00:05:12
Tyyppi
Asiasana
Original Title
Nuppi bealde
English Title

On the other side

Production Countries
Finland
Dialogue
No
Sound
Yes
Cast
Marja Viitahuhta (Author), Marja Viitahuhta (Cinematographer), Ánnámáret (Composer), Marja Viitahuhta (Director), Marja Viitahuhta (Editor), Ánnámáret (Producer), Marja Viitahuhta (Script), Ánnámáret (Sound Design), AVEK (Funder), Taiteen edistämiskeskus (Funder), Koneen säätiö (Funder)
Press Photos
Marja Viitahuhta (formerly Mikkonen) is a Helsinki-based media artist and filmmaker. Her works range from films, performances and installations to photography and collage. She holds a BA degree in performance art from the Turku Polytechnic Arts Academy and an MFA degree from the Finnish Academy of Fine Arts. She has been awarded internationally at Cannes (Cinéfondation), Stuttgarter Filmwinter, Mediawave and L’Alternativa film festivals. Viitahuhta's recurring themes focus on perception and experience of female protagonists. Her works deconstruct individual identities, memories, or the idealised imagery of nations and landscapes. Her work often speaks in an intimate and personal tone and deals with existence and mortality. The text and image are set in a dialogue in Viitahuhta’s experimental language. Viitahuhta often bases her work on documentary filmmaking, archive material and found images as well as interviews.