Moderate Manipulations

Halonen Henna-Riikka

Moderate Manipulations offers a critical view on the changing environment and politics. It aims is to show how positions are subject to constant internal and external change and to examine the relation between built and natural environment. The location of the film is one of the last remaining futuristic houses called Futuro, designed by Finnish Architect Matti Suuronen in 1968. Two professional models were hired and dressed in outfits resembling Marimekko's fashion gowns. What part does the Design Innovation play in the future vision of Finland? And what is its relationship with nature, living standards and the economy? Repetition puts emphasis not only on the power relations but also on the expectations for the future. The film becomes as a syntagmatic apparatus, almost a simulation of a chess game, where positions are constantly repeated, calculated and slightly adjusted. This underlines the different positions one takes in relation to future but also refers to the construction of the film itself. Moderate Manipulations is the last part of a Video trilogy consisting of works that examine one's place in society from visual and linguistic starting point and within architectural venues. These works are characterized by layers of past visions from theatre and literature to architecture and design, which in their time represented radical future oriented views.

Production Year
2012
Duration
00:07:40
Asiasana
Original Title
Moderate Manipulations
Finnish Title
Hienoista Manipulointia
English Title
Moderate Manipulations
Production Countries
Finland
Dialogue
Yes
Aspect Ratio
16:9
Sound
Yes
Cast
Minttu Mäntynen (Cinematographer), Henna-Riikka Halonen (Author), Henna-Riikka Halonen (Director), Minttu Mäntynen (Editor), Henna-Riikka Halonen (Writer), Jaana Zaiseva (Actor), Rita Aaltolahti (Actor), Koneen säätiö (Funder), Heidi Tikka / AVEK (Funder), Antti Siniranta (Sound), Paul Becker (Translator), Sari Jaakkola (Voice Over)
Press Photos
Henna-Riikka Halonen’s works are often responses to a specific context or a site, aiming to highlight our need to structure experiences as fiction to gain an understanding of them. By creating speculative systems or worlds, her work explores our relationship to materials, objects, words, and living and non-living beings.  Halonen has worked on and produced many collaborative and large- scale projects and commissions and has shown her work widely in international exhibitions and festivals such as Incheon Biennale of Women Artists, South-Korea, IFFR, Rotterdam, Hayward Gallery London, 2017, Biennale of Sydney 2014, Lilith Performance Studio. Malmo, Centre Pompidou, Paris etc and Gus Fisher Gallery, New Zealand. Halonen graduated with an MFA in Fine Art from Goldsmiths College, London in 2006. She completed a Doctorate at the Academy of Fine Arts, Helsinki in 2020.