Golden Headacher

Suominen Niina

Golden Headacher is an experimental animation documentary about women’s hate and aggression and the culturally sanctioned ways to express or suppress these uneasy feelings. The dialogue is constructed from experiences of women dealing with feelings of aggression towards children and spouses and between women. At the same time, the dialogue comments on cultural norms related to the expression of aggression by women. The film was created by animating textile and décor waste and beautiful glossy pictures of children that were popular in Scandinavia in the last century. The material was improvised using the qualities of different fabrics and objects as the basis for the images. The work brings to the fore the irritation and exhaustion felt by women and the thoughts often left unsaid outside the walls of home. Also the remorse and the shame felt after the bursts of anger are reflected on.

Production Year
2022
Duration
00:17:00
Tyyppi
Asiasana
Original Title
Kultainen päänsärkijä
Finnish Title

Kultainen päänsärkijä

English Title

Golden Headacher

Production Countries
Finland
Dialogue
Yes
Sound
Yes
Cast
Niina Suominen (Author), Risto Ylihärsilä (Composer), Niina Suominen (Director), Niina Suominen (Editor), Niina Suominen / Force Majeure Films (Producer), Niina Suominen (Script), Hannele Nurminen (Actor), Helena Lempiäinen (Actor), Niina Suominen (Actor), Jatta Ihaksi (Actor), Alma Haapala (Assistant), Taiteen edistämiskeskus (Funder), Suomen Kulttuurirahasto (Funder), AVEK (Funder), Yleisradio Oy (Funder)
Press Photos
Niina Suominen is a visual artist who works with experimental moving image. Suominen was educated in the traditional techniques of animation making, and in her artistic work she is interested in reflecting on traditional rules of animation and figuring out ways to break or subvert them. The starting point of Suominen's work is a theme, a topic or some aesthetically interesting detail, but improvisation, movement, and rhythm play an important role. The visual world of her works is constructed upon the qualities of materials, her observations about them, and experimenting with their possibilities. She is interested in abandoned surroundings, found objects, and human reality. The artist’s earlier education in arts and crafts and natural resources influence her work in which handwork and analogical apparata have a pivotal role.