Flames

Marja Viitahuhta

“When we pass from this world to another, the flames of our ancestors will be waiting for us.” - Ánnámáret. A video work with the yolk Dolat by Ánnámáret, from her album “Nieguid duovdagat”. In the video, embers and fire particles twirl in the air, transforming and dancing and swirling in the dark. The imagery has been layered with effects and animation to create an illusion of reality transforming into dreamlike, imaginary visions, brought about with the song and the hypnotism of looking at the fire. Fire is at the root of human culture, as a tool, but also as a place for social gatherings and storytelling. The yoik and the visual material of the video are based on its symbolism and power. However, as well as speaking about people's bond with fire, this yoik is about lineage; of our temporal existence and belonging to a long line of our predecessors and our successors. The video, via its own means, visualises the yoik's message.

Production Year
2021
Duration
00:04:43
Type
Tags
Original Title
Dolat
English Title

Flames

Production Countries
Finland
Dialogue
Yes
Sound
Yes
Cast
Marja Viitahuhta (Author), Marja Viitahuhta (Cinematographer), Anna Näkkäläjärvi-Länsman (Composer), Marja Viitahuhta (Director), Marja Viitahuhta (Editor), Anna Näkkäläjärvi-Länsman (Producer), Marja Viitahuhta (Script), Anna Näkkäläjärvi-Länsman (Sound Design), Turkka Inkilä (Sound Design), Ilkka Heinonen (Sound Design), Anna Näkkäläjärvi-Länsman (Actor), Alfred Kordelin Foundation (Funder), TAIKE (Funder)
Press Photos
Marja Viitahuhta (formerly Mikkonen) is a Helsinki-based media artist and filmmaker. Her works range from films, performances and installations to photography and collage. She holds a BA degree in performance art from the Turku Polytechnic Arts Academy and an MFA degree from the Finnish Academy of Fine Arts. She has been awarded internationally at Cannes (Cinéfondation), Stuttgarter Filmwinter, Mediawave and L’Alternativa film festivals. Viitahuhta's recurring themes focus on perception and experience of female protagonists. Her works deconstruct individual identities, memories, or the idealised imagery of nations and landscapes. Her work often speaks in an intimate and personal tone and deals with existence and mortality. The text and image are set in a dialogue in Viitahuhta’s experimental language. Viitahuhta often bases her work on documentary filmmaking, archive material and found images as well as interviews.